Revision Step Two: Read through Rough Draft

Read Through   Relatively painless.  But I know its the calm before the storm.

What I did:

1. Treated it like a book.  I sat somewhere comfy, usually on my couch after my whirlwinds were in bed.  Sometimes with a glass of wine.  But unlike reading for leisure, I had highlighter,  red pen, post-it tags, and notepad ready to go. Oh and a very critical attitude!

2.  Made a list of notes/symbols I would use.  My goal is not to do  major notes or writing scenes at this point.  I want to get through this bad boy in a few sittings.  The tags I used:

  • <—> reorder
  • zzzzz dragging
  • (  ) confusing
  • ?? cut/change
  • highlight – awkward/take another look at
  • + add details
  • – make concise
  • BL add body language
  • VIS visualize/add sensory details
  • 🙂 keep

3. Get reading.  The goal of this read through is big picture kind of stuff.  There is no point to line edit now, it would actually be a big waste of time.  I need to be merciless nonetheless.   I am not married to these words.  These characters work for me!  (Ever get evaluated on the job? Nothing like having a surprise observation by the principal when you’re having an off day!)

These characters and scenes have a job to do and if they’re not making life more complicated for my MC (main character), contributing to or setting up conflict, and making me want to turn the page, then I need to go back to them and consider their value – do they get the pink slip or remediation?  Yes, there are characters and scenes that are absolutely delightful.  The picture was painted vividly and the characters sounded really real.  But if they’re not doing their job, I have to be tough.  And I will keep these scenes in a deleted scenes folder for me to go back to and enjoy the beauty of my thoughts some other time.

Through the course of the read through it became very clear the parts I enjoyed writing and the parts I forced myself to get through!

4.  After reading I took some time for an essential part – more reflection.  It’s a best practice in education for a reason.  People need time to process and absorb what they’ve learned.  This is true for revising as well.  I am learning things about my writing while I’m reading it.  I need to grant myself time to reflect on my writing and not just jump right into the rewrite.  My rewrite will hopefully be more thoughtful and accomplish more if I take time to formally think about it.

Reflection questions after the first read through:

  • What glaring issues stand out?
  • Are there any scenes that can be cut? What needs to be done in order to cut them?
  • How’s the MC? Do I like him? Do I cheer for him?  Is he relatable? What changes need to take place to make him more attractive as a MC?
  • Is my antagonist believable?  Do I really dislike him?  What more needs to be done to make him more undesirable?
  • What are the really weak scenes that need a lot of attention to be saved?  What do they need?
  • What research still needs to be done?
  • Is the climax/resolution all it should be? Did I feel tension? Does it wrap up the ongoing conflict from the story? Is my end in my beginning?

I am sure there is more I should be thinking about at this point, but what it is I haven’t figured out yet.  If you have any reflection questions you think should be added to the list, leave a comment.

One more thing, I found this blog by James Scott Bell on revision.  One of his suggestions: Consider what a critic would objectively say after reading your manuscript, write it in a short essay.

I would say: The bones of the story are good, but there’s a lot of flab!

Next time I will tackle one of my glaring issues: voice! making sure each character is identifiable without seeing the dialogue tag!

til then – Enjoy Playing with Words!

Time to Revise! Step one: Reflect

Stormy Day

Rainy days are designed for reading.  So today is a great day to get to reading my manuscript!   I took the recommended few weeks away from it and am ready to tackle it once again.

Where to start?  There are a lot of ideas out there.  So my revision process is certainly NOT mine but a compilation of many who have been there, done that.   There is no point to reinvent the wheel, right?

During my break from writing I took the time to read Writing Fiction: A Guide to Narrative Craft by Janet Burroway and I gathered a lot of ideas to pay attention to during the revision process that will certainly surface during future blogs.  But before I crack the spine of the “Working Manuscript” binder, I needed to reflect on my book and focus on its big picture.  When I started writing it, I did not do a lot of pre-writing (besides researching the history side of it).  So now that the rough is finished I need to narrow the lens and get a tighter focus.

This brought me to a blog by Holly Lisle titled: One-Pass Manuscript Revision: From First Draft to Last in One Cycle.  Ya, I won’t even attempt to revise in one pass, but  I will probably turn back to the steps she shares many times.   I appreciate her suggestion to start the revision process by discovering what my story is all about.

Her first five tasks are:

  • “Write down your theme in 15 words or less.”

This was easier than I thought.  You know when you are given a word limit it adds pressure.  But I did it, and I think it is about right.

Obligation to family versus following your own dream.  Yep – that’s what I came up with.

  • “If you have sub-themes and know what they are, write them down too.”

It turns out I have about six sub-themes that I was able to identify off the top, there are probably more subtle ones that will come to the surface later.

We all have a story – societal positions – feminism (even though my MC is male) – overcoming fears – dealing with the death of a loved one – influence of religion  This feels like I’m missing something, but that’s OK.

  • “Write down what the book is about in twenty-five words or less.”

Twenty-five words is not a lot! About my story that has more than 60,000 of them!  (Ya, it’s way too long for my target audience – but it will get there!) This went through a few versions.

Boy aspires for things beyond family tradition, battles fears, fire, and family in pursuit of his own dream.  18 words!

  • “Write down a one-line story arc for the book’s main character.”

It turned into the longest run-on sentence in the history of run-on sentences.  Well, maybe not.  I used to teach fifth grade and I have seen the use of “and” seventeen times in one sentence.  But, is running-on a bad habit of mine?  No, I am one of the most concise writers I know.  (ha ha – remember the 60,000 + words I have to chisel!)  And I certainly never drift off topic!  (Hey, when you have two little children, you are used to having three or four conversations at one time.  It just so happens that may brain continues to do this whether I am with my whirlwinds or not!)

Anyway, I procrastinate . . .

MC battles fears, foes, fire, prejudice (couldn’t think of an F words), and family during the Great Chicago Fire and saves a few lives along the way, but ultimately sacrifices his own dreams for the sake of his family.

Then the biggy:

  • “Write down the main characters, and a paragraph of no more than about 250 words describing the story, sort of like the blurb on the back of a paperback.”

THIS WAS HARD! All of these previous steps certainly helped, but it was not pretty.  Started off with black ink, went to orange, then red.  With arrows and line-throughs everywhere! It turned into less than 200 words (oh-ya! 172 actually!) but I don’t think I would want it on the back of my book just yet.  And therefore, I am not putting it out here either.

But what did all of this really do?  It gave me the narrowed focus I need for my read through.  It also brought to my attention plot and character adjustments I want to make.  It was well worth the hour and a half it took to do this.

Next week I will discuss what I do during my read through of my rough draft, the second step of my revision process.

Til then, enjoy playing with words!

BTW, What do you reflect on to help you steer your manuscript?

And one more thing – credit where credit is due – the link to Holly Lisle in case you would like to see what else she says.